Connect with us

Design

KDF Reprographcs Builds a Tank for Little Fish with Big Dreams

Company enters imaginative competition staged by Dan Sawatzky

Published

on

Dan Sawatzky, proprietor of Imagination Corp. (Chilliwack, BC, Canada), has inspired countless signmakers with his talent and generosity in sharing his tools and techniques. Sawatzky similarly motivated the production stuff at KDF Reprographics (Rockleigh, NJ) to produce a novel, 3-D sculpture for a competition he was staging.

According to Stephen Hoey, KDF’s president, its rules stipulated inclusion of a sign for the fictitious facility, the Institute for the Study of Mechanical Marine Life, and a mechanical fish. The designer’s imagination dictated the rest.

“We decided to feature a fish driving a larger, mechanical fish, and then we decided to create an entire fishtank,” Brian Hamilton, KDF’s business-development manager, said.

Hoey and Hamilton created a hand-rendered sketch that they scanned and colorized in Photoshop® software. Subsequently transferred to SA Intl.’s EnRoute5®, the design was developed into a 3-D template for a CNC-routed sculptural sign that stands 8.5 ft. tall and weighs approximately 500 lbs. To manage the job’s weighty construction, KDF fabricated the upper portion of the tank with 15-lb. PrecisionBoard® HDU. For additional heft, its base comprises 30-lb. HDU. Fabricators constructed the pieces on the shop’s MultiCam 3000 CNC router, and created texture on the panels with Abracadabra Signs’ MagicSculpt hardening-epoxy compound and Coastal Enterprises’ FSC-88 WB surface primer and filler.

To assemble the components, KDF MIG-welded a metal framework with a low profile that would make it easier to drill holes for electrical conduit and water pipes. To create a more playful project, they accented the fishtank’s surroundings with a periscope, and added an operational control panel and a pull-handle to open the mechnical fish’s hatch. The contraption also features a brushed-metal-finish and “gold plate” that was digitally printed on ½-in.-thick acrylic on an Océ Arizona 350 XT flatbed, UV-cure-ink printer.

Hoey regards the project as a labor of love: “We spent at least 100 hours on this project, all of which was during evenings and weekends. We were lucky to have a fish expert on our staff, who made sure the aquatic details looked authentic. Win or lose, this project gives us a brag piece for our showroom.”
 

Advertisement

Advertisement

SPONSORED VIDEO

Introducing the Sign Industry Podcast

The Sign Industry Podcast is a platform for every sign person out there — from the old-timers who bent neon and hand-lettered boats to those venturing into new technologies — we want to get their stories out for everyone to hear. Come join us and listen to stories, learn tricks or techniques, and get insights of what’s to come. We are the world’s second oldest profession. The folks who started the world’s oldest profession needed a sign.

Promoted Headlines

Advertisement

Subscribe

Advertisement

Most Popular